Work is hard. I think we can all relate to that, right? And it’s even harder when you’re not in a line of work you’re actually invested in. Days are long, the pay sucks, and the people you interact with on a daily basis make you want to scream.
Now imagine the job you REALLY wanted was to be a sword-and-shield wielding hero, but instead…
Such is the basic premise of I Couldn’t Become a Hero, so I Reluctantly Decided to Get a Job, a title so unwieldy I’m going to refer to it from here on as Yu-Shibu (the official shortened Japanese title).
Yu-Shibu is set in a fantasy world in which magic exists, but is mostly used for banal, practical purposes like microwaves and televisions. However, with magic comes monsters, and the heroes who fight them.
On the eve of his graduation from a hero academy, Raul Chaser discovers his dream is over – the Demon Lord has been slain, and the world has no more need for heroes like him. With no other place to go, Raul gets a job at a magic shop – Leon – and spends his days bored out of his mind.
One day, a young lad applies for a job at Leon. He’s an odd duck and, as it transpires, is actually the son of the Demon Lord! And he’s actually not his son, but actually his daughter! Actually!
Cue a fish-out-of-water story for the ages, as the Demon Lord’s daughter – Fino Bloodstone – attempts to fit in at Leon despite the fact she has no clue how to interact in human society. If it’s starting to sound like this is another The Devil Is A Part Timer, then that’s kind of appropriate.
The main difference with Yu-Shibu is in the overall message of the show. TDIAPT is all about Satan attempting to fit into human society by working his way from the ground up to conquer Earth, inevitably becoming more comfortable with the change of pace offered by a middle-management position.
Yu-Shibu, on the other hand, is about a guy who has been forced to abandon his dreams in order to work a menial job, when someone with infectious energy enters his life who gives him a new perspective and makes him appreciate what he has, rather than pining over what could have been.
And Yu-Shibu does this really well! After all, who wouldn’t want to live surrounded by all the weird and wonderful characters in the series. Fino herself is one of my new favourite heroines, and her relatively new seiyuu did a fantastic job – especially that evil laugh. Fino occasionally lapses into Demon-talk, casually discussing torture and other horrible things, which leads to some very amusing moments.
The supporting cast is strong too, even if many of them do fall into the old character archetypes we’ve come to know and not exactly love. Regardless, I’m quite the fan of the employees of Lawson, a neighbouring shop to Leon, especially Lam.Raul’s old classmate Airi Ortinet is also an interesting character, taken as a direct parallel to Raul in terms of employment and what she’s doing about her lot in life. Saying any more than that would be a spoiler, but trust me, it’s a nice dynamic.
Really, of all the characters Raul is easily the weakest – but then I suppose he’s probably supposed to be the audience surrogate. He has a couple of heroic moments and saves the day in the end, but he’s still kind of boring.
From an art standpoint, the series is very bright and colourful, and characters look quite good. The real star is the world itself, but it often feels as though they could do more with the setting. I don’t know, I see dragons pulling cars and yet all we’re shown tends to be magic TVs and microwaves. Spoilers, they look exactly the same.
The series also seems to have that oddly inconsistent animation that affected The Fruit of Grisaia – some scenes evidently have far more effort put into them than others and flow nicely, but it feels more like a nice surprise when it happens, rather than a disappointment when it doesn’t.
Oh, and in case you were wondering: yes, there’s fanservice in this series. What, were you expecting a gif or something?
While for the most part a comedy series, Yuu-Shibu does become a lot more serious towards the end, and while some may argue that it’s somewhat jarring, I feel that it works surprisingly well. The villains have a decent motivation and reason to be there, and are suitably menacing, but they do come at the expense of some plot threads that are introduced but end up as red herrings.
Overall though, I feel like Yu-Shibu is a fun little series that introduces some interesting ideas, populates itself with an interesting, likeable cast and doesn’t wear out its welcome.
Charming, easy-going and funny, Yu-Shibu is a perfect anime to watch in between more serious shows. It’s a little disjointed towards the end, but the concepts will strike close to home for anyone who has ever worked a job they didn’t enjoy.